When the Show Comes Home … Performance Artifacts: Delaware Contemporary Art Center
Photo Credit: Jauhien Sasnou
History / Description
From the exhibition wall-text: This exhibition includes more than 55 artifacts including puppet and props from performances spanning 20 years of Mundheim’s career. Objects are made from paper, wood, fabric, and a lot of trial and error. These characters and stories have been performed in places including: Kimmel Center, Theatre Exile, Ballet X, the Arden, the Lantern, Clark Park, on the stage of the Mann Music Center, Philadelphia Museum of Art, MassMOCA, the Stonington Opera House, Baltimore Theatre Project, even on small stages in Ireland. They have been performed by ballet dancers, puppeteers, actors, adults and children. They bring us through the Henri Rousseau’s Paris, Guna’s World War Two Latvia, Gilgamesh and Mesopotamia, Dylan Thomas’s Wales, Giorgio DeChirico’s Italian Piazza’s, and Siddhartha’s encounter with his petulant and materialistic son … and much, much more. In addition to the objects installed, there is video of past performance work, and a thoughtful, delightful audio tour. (which you can also experience below).
Delaware Scene: When The Show Comes Home.
Philadelphia Inquirer: A band of magical puppets are moving out of their South Philly home.
Events
Opening Reception: February 2, 2024: 5pm-9pm
Artist’s Talk: April 28, 2024: 2pm
Studio Performance and Talk: Kea and the Ark: May 18, 2024: 11pm, 2pm, 4:30pm
Media
Video Credit: Fox News
Video Reels
Audio Tour
This audio tour was created to accompany the exhibition.
The general reflections can be listened to anywhere.
The sequential tour reflections are connected to specific object clusters.
GENERAL REFLECTIONS
JEENU AND THE UNDERSTUDY
SEQUENTIAL TOUR REFLECTIONS
SEA OF BIRDS
THE SIDDS
PARIS WHEELS AND THE READY MAIDS
THE JUNGLE BOOK
THE ARCHIVE
THE MISERABLE CHILDREN
THE TRUCK, THE DOGS, ANEMIC TREE…
KEA AND THE ARK
THE CHESS SET
DE CHIRICO
A CHILD’S CHRISTMAS IN WALES
JEREMY PUBLIC AND PRIVATE
GILGAMESH
Stills
Photo Credit: Jauhien Sasnou
Photo Credit: Peter Jacobs